PRINTS
Lithographs and Prints by Artists
This section showcases lithographs and print works created by artists, highlighting the richness of editioned art. Each piece demonstrates the artist’s hand through traditional or modern printing techniques, offering an accessible yet authentic glimpse into their creative universe.
Salvador Dalí (1904–1989)
Lithograph after "The Garden of Earthly Delights"
Lithograph on paper
Dimensions: 41 × 58 cm
This lithograph by Salvador Dalí reinterprets Hieronymus Bosch’s The Garden of Earthly Delights through the surrealist’s unique vision. Combining fantastical figures, dreamlike landscapes, and symbolic imagery, Dalí pays homage to Bosch while infusing the work with his own eccentric and provocative style. The composition reflects Dalí’s fascination with the subconscious, metamorphosis, and the interplay of fantasy and reality, themes central to his career as one of the most influential artists of the 20th century.
Joan Miró (1893–1983)
Untitled, c. 1960s–70s
Color lithograph on paper
Dimensions: 86 × 59 cm
Lithograph capturing Joan Miró’s fascination with spontaneity, movement, and the dreamlike world of abstraction. Bold black forms dominate the composition, animated by bursts of yellow, green, and blue splatters that evoke both cosmic energy and childlike play. Miró’s gestural lines and biomorphic shapes suggest a universe alive with symbols, where imagination transforms into visual poetry.
As in much of his graphic work, Miró uses lithography not only as a means of reproduction but as a medium of invention, preserving the immediacy and vitality of his painterly touch.
Joan Miró (1893–1983)
Untitled, c. 1960s
Color lithograph on paper
Dimensions: 86 × 59 cm
Lithograph exemplifying Joan Miró’s playful and poetic visual language. Bold black forms intertwine with bursts of primary colors—red, blue, yellow, and green—set against a dynamic field of painterly textures and gestural marks. The composition embodies Miró’s signature balance between abstraction and spontaneity, evoking a dreamlike world of symbols, movement, and imagination.
Miró’s graphic works, such as this, highlight his ability to translate the energy of his paintings into printmaking, making color and form accessible while preserving their expressive intensity.
Henri de Toulouse-Lautrec (1864–1901)
Woman Combing Her Hair, from the series Elles, 1896
Lithograph
Dimensions: 60 × 49 cm
This work belongs to Toulouse-Lautrec’s celebrated Elles portfolio, which intimately portrays the private lives of women working in Parisian maisons closes. Here, a woman is shown in a moment of personal grooming, seated and absorbed in the simple act of combing her hair.
Rendered with soft lines and delicate tonal shading, the composition avoids dramatization, instead capturing the dignity of everyday gestures. Lautrec’s empathetic vision elevates the ordinary, offering a rare and humanizing perspective on women who were often marginalized in 19th-century society.
Henri de Toulouse-Lautrec (1864–1901)
Two Women in Bed, from the series Elles, 1896
Lithograph
Dimensions: 49 × 60 cm
Lithograph belonging to Lautrec’s Elles series, a groundbreaking portfolio depicting the daily lives of Parisian courtesans with honesty and empathy. Here, two women are shown in an intimate, unguarded moment—standing by a bed, their gestures casual and unposed. Lautrec avoids sensationalism, instead emphasizing companionship and the quiet rhythm of private life.
With its soft palette and simplified lines, the work conveys warmth and humanity, underscoring Lautrec’s unique ability to portray marginalized women with dignity and subtle psychological depth.
Henri de Toulouse-Lautrec (1864–1901)
Woman at Her Toilette, from the series Elles, 1896
Lithograph
Dimensions: 60 × 49 cm
Lithograph belonging to Lautrec’s celebrated Elles series, which portrays women in the private spaces of brothels. Rather than focusing on eroticism, Lautrec captured their quiet, everyday routines with intimacy and empathy. Here, a woman bends over a washbasin, her body rendered in fluid lines that emphasize both her physical presence and the ordinariness of the moment.
By highlighting gestures of self-care, Lautrec dignifies the lives of these women, offering a rare and compassionate view that challenged the stereotypes of his time.
Henri de Toulouse-Lautrec (1864–1901)
Frontispiece for the series "Elles", 1896
Lithograph with pochoir coloring
Dimensions: 60 × 49 cm
This lithograph served as the frontispiece to Lautrec’s celebrated Elles series, published in 1896. The portfolio presents intimate scenes of Parisian prostitutes, focusing on their daily routines rather than their public personas. Here, a woman in a dressing gown adjusts her hair, her back turned to the viewer, embodying the quiet privacy and unposed dignity that define the series.
Lautrec’s refined lines and flat planes of color highlight his mastery of lithography, while the Elles suite reflects his sympathetic portrayal of marginalized women, offering a rare, humanizing perspective in 19th-century art.
Henri de Toulouse-Lautrec (1864–1901)
Lithograph from the series "Elles", 1896
Dimensions: 60 × 49 cm
Lithograph belonging to Lautrec’s Elles series, created in 1896, which depicts the intimate and everyday lives of Parisian prostitutes. Unlike his famous cabaret posters, these works are quieter, offering tender and empathetic portrayals of women beyond the stage, shown in moments of rest, reflection, and vulnerability.
Executed with pochoir (stencil coloring), the print demonstrates Lautrec’s bold yet delicate use of line and flat color. Far from caricature, Elles captures humanity and dignity, reflecting Lautrec’s deep understanding of the social realities of Montmartre’s demi-monde.
Victor Vasarely (1906–1997)
Untitled (Op Art Composition with Spheres)
Serigraph on paper
Dimensions: 112 × 90 cm
Victor Vasarely, widely regarded as the father of the Op Art movement, explored the optical possibilities of color, geometry, and perception. In this striking work, Vasarely constructs three spherical forms—rendered in vivid green, blue, and red—that appear to pulse and expand beyond the flat surface. Using systematic arrangements of dots and grids, the artist creates a dynamic illusion of three-dimensional depth, engaging the viewer’s eye in a constant play of movement.
This piece exemplifies Vasarely’s lifelong interest in science, mathematics, and visual psychology, reflecting his belief that art could be universal through its reliance on optical laws rather than cultural references. By destabilizing the viewer’s perception, the work transforms static form into kinetic experience, bridging art and technology in a way that defined the visual language of the 20th century.
Marc Chagall (1887–1985)
Psaumes de David (Psalms of David)
Lithograph on paper
Exhibition poster, Musée National Message Biblique Marc Chagall, Nice, 1980
Dimensions: 69 × 43 cm
This lithograph, created for the exhibition Psaumes de David at the Musée National Message Biblique Marc Chagall in Nice, reflects the artist’s lifelong dialogue between biblical themes and his poetic, dreamlike visual language. Executed in his characteristic style of fluid lines and floating figures, the work illustrates a joyful dance of figures set against a symbolic cityscape, evoking both the biblical Jerusalem and Chagall’s own memory-laden imagination.
MARC CHAGALL Printed lithograph “Gallerie Gerard Cramer”. Signed by the artist bottom left
Title:Poèmes (Exhibition Poster)
Artist: Marc Chagall (Russian-French, 1887–1985)
Medium: Lithograph on paper
Dimensions: 57 × 38 cm
Publisher: Gérald Cramer, Geneva
Location: Galerie Gérald Cramer, Rue de Chantepoulet 13, Geneva
Description:
Lithographic poster created by Marc Chagall to accompany his 1970 exhibition Poèmes at Galerie Gérald Cramer in Geneva. The image features one of Chagall’s signature dreamlike compositions, combining human figures, animals, and abstract forms in a vibrant palette dominated by yellow, green, and black.
As both an artwork and promotional material, this piece reflects Chagall’s close collaboration with Swiss publisher Gérald Cramer, who championed his graphic works. The poster represents the artist’s ongoing exploration of visual storytelling and his capacity to merge poetry and painting into a unified, emotional language.
MARC CHAGALL Original Lithograph. Signed bottom right, limited edition
Edition: 28/50
Artist: Marc Chagall (Russian-French, 1887–1985)
Medium: Color lithograph on paper
Dimensions: 43 × 55 cm
Edition: Numbered 28/50
Signature: Hand-signed by the artist in pencil, lower right
Description:
Original lithograph by Marc Chagall capturing the artist’s dreamlike vision of love and memory. Floating lovers embrace mid-air above a blooming garden, while figures, trees, and village structures create a lyrical, pastoral landscape below.
Marc Chagall’s lithographs are celebrated for their poetic and mystical quality. This work exemplifies his recurring motifs of love and flight—symbols of spiritual transcendence and personal history. As with much of his graphic oeuvre, the composition is infused with warmth and whimsy, inviting viewers into a world where emotion shapes reality. Lithographs such as this one were printed in limited editions and hand-signed by the artist, underscoring their collectible value.
MARC CHAGALL Lithograph Print “Gallery Maeght”. Signed by the artist bottom left
Title:Chagall, Galerie Maeght Exhibition Poster
Artist: Marc Chagall (1887–1985)
Medium: Color lithograph on paper
Dimensions: [Not specified]
Printed by: Mourlot, Paris
Dimensions: 69 × 52 cm
Description:
Lithographic poster created by Marc Chagall to promote his exhibition at Galerie Maeght in Paris in June–July 1962. The image features a large bird with outstretched wings perched on a circular form enclosing a loving couple, rendered in Chagall’s dreamy, expressive style. Above, branches with leaves and berries enhance the composition.
Chagall often celebrated themes of love, memory, and peace through surreal imagery. This poster, combining a symbolic bird and embracing figures, reflects his lyrical approach to art and his lifelong connection to romance and nature. It was printed by the famed Mourlot studio, known for collaborating with major modern artists.
MARC CHAGALL Etching drawing. Signed bottom right, limited edition
Edition: 15/50
Title:Le Violoniste
Artist: Marc Chagall (1887–1985)
Date: Mid-20th century
Medium: Color lithograph on paper
Dimensions: 56 × 40 cm
Description:
Lithograph by Marc Chagall showing a man playing a violin, surrounded by dreamlike figures including a rooster, a nude woman, and a dog. The background includes a village scene and floating heads, all drawn in Chagall’s distinctive style.
Chagall often used the figure of the violinist to reflect his Jewish heritage and memories of his childhood in Russia. The warm colors and flowing lines create a sense of emotion and nostalgia.
JOAN MIRO Lithographe Original. Signed bottom right
XXV / LXXX
Year: 1979
Title:Untitled (Abstract Composition)
Artist: Joan Miró (Spanish, 1893–1983)
Medium: Color lithograph on paper
Signature: Hand-signed "Miró" (lower right)
Dimensions: 36 × 55 cm
Description:
Lithograph by Joan Miró showing the artist’s mastery of color and abstract form. Composed of energetic black lines intertwined with vibrant zones of red, blue, green, and yellow, the piece captures the rhythmic dynamism that defines much of Miró’s later work. The playful, looping forms and whimsical geometry evoke a sense of freedom and imagination, hallmarks of his unique visual language..
This lithograph belongs to a series of works that reflect Miró’s enduring interest in the subconscious and the symbolic. His bold, modernist vocabulary — characterized by floating biomorphic shapes and surreal gestures — had a profound influence on 20th-century abstraction.
Original drawing by LE CORBUSIER depicting The Fall of Barcelona. Drawing in black ink , dated and signed at the bottom right 2.11.60 III
Year: 1960
Title:the fall of Barcelona
Artist: Le Corbusier (Charles-Édouard Jeanneret, 1887–1965)
Medium: Ink on paper
Dimensions: 70 × 100 cm
Description:
Drawing by Le Corbusier exploring the human form through an architectural lens. Using bold, continuous lines and abstracted shapes, he intertwines limbs, torsos, and faces into a unified, almost mechanical composition. Despite the flatness of the medium, the figures exude rhythm and movement, forming a visual architecture of the body.
Best known for his revolutionary contributions to modern architecture, Le Corbusier was also a prolific visual artist. His drawings reflect the same principles found in his buildings: harmony, order, and a fascination with the human figure as both organic and constructed form. This piece captures his unique synthesis of art and architecture.
Etching by Picasso depicting the Characters from El Entierro del Conde de Orgaz dated and signed
Edition: 45/50
Artist: Pablo Picasso (1881–1973)
Medium: Etching on paper
Dimensions: 40 × 29 cm
Description:
Etching by Pablo Picasso showcasing a dense and playful mythological composition, filled with nude figures, stylized faces, and fantastical beings. Rendered in fluid, assured lines, the work captures Picasso’s fascination with classical themes, eroticism, and the grotesque, all distilled into a single theatrical tableau.
Picasso’s graphic works often allowed for greater freedom and experimentation than his paintings. This etching, with its layered forms and crowded composition, echoes the bacchanalian energy of ancient myths while embracing the spontaneity of surrealism.
An Etching drawing by Picasso representing a belly dancer, flute player and exposed man with painted fingernails signed and dated
Edition: 15/50
Dimensions: 20 × 26 cm
Picasso etching representing some gladiators, nudes and seated figure in two cornered hat, signed and dated with pencil 4/29/1968 II
Edition: 49/50
Joan Miró (1893–1983)
Lithograph
Dimensions: 86 × 59 cm
Lithograph by Joan Miró showcasing the artist’s distinctive visual language of bold colors, organic shapes, and playful abstraction. With its rhythmic black forms interwoven with striking reds, blues, and yellows, the work reflects Miró’s exploration of the subconscious and his desire to evoke a dreamlike, poetic universe. Characterized by spontaneity and imagination, this print exemplifies Miró’s pivotal role in Surrealism and his lasting influence on modern art.