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PICASSO ORIGINAL PENCIL DRAWING - WOMAN'S FACE
Original drawing by Picasso depicting a woman’s face, executed with pencil on brown paper, dated and signed at the top right 4.2.68 II
Year: 1968
Artist: Pablo Picasso (1881–1973)
Medium: Graphite on brown paper
Signature: Dated and signed upper right
Dimensions: 32 × 24 cm
Description:
Drawing by Pablo Picasso capturing the essence of his late period: confident, fluid, and bold in its abstraction. Rendered in a few uninterrupted lines, this drawing portrays a woman's bust-length figure, with a split or dual visage—two profiles merging into a single frontal form.
The use of brown paper and sparse line work highlights Picasso’s mastery of expressive minimalism. Despite the simplicity of the materials, the drawing conveys a vivid sense of presence, sensuality, and introspection.
Dated February 4, 1965, this work reflects Picasso’s continued fascination with the female form and psychological duality. The face, at once serene and enigmatic, is emblematic of the artist’s late-in-life synthesis of Cubist innovation and Mediterranean lyricism.
Original drawing by Picasso depicting a woman’s face, executed with pencil on brown paper, dated and signed at the top right 4.2.68 II
Year: 1968
Artist: Pablo Picasso (1881–1973)
Medium: Graphite on brown paper
Signature: Dated and signed upper right
Dimensions: 32 × 24 cm
Description:
Drawing by Pablo Picasso capturing the essence of his late period: confident, fluid, and bold in its abstraction. Rendered in a few uninterrupted lines, this drawing portrays a woman's bust-length figure, with a split or dual visage—two profiles merging into a single frontal form.
The use of brown paper and sparse line work highlights Picasso’s mastery of expressive minimalism. Despite the simplicity of the materials, the drawing conveys a vivid sense of presence, sensuality, and introspection.
Dated February 4, 1965, this work reflects Picasso’s continued fascination with the female form and psychological duality. The face, at once serene and enigmatic, is emblematic of the artist’s late-in-life synthesis of Cubist innovation and Mediterranean lyricism.
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