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OPIUM PIPE LAMP WITH GLASS CHIMNEY
Origin: China
Date: Late 19th–early 20th century
Materials: plated metal, cast and chased; glass with etched decoration
Dimensions: Appro 10 × 8 cm
Description:
Ornate opium pipe lamp modeled in the form of a blooming lotus flower, a symbol of purity and transcendence in Chinese culture. The plated metal base is cast in overlapping lotus petals rising from a footed stand with four outward-curving supports. Above the petals sits a pierced gallery band adorned with small applied animal figures, including a finely detailed lion in relief.
The gallery supports a clear glass chimney, subtly etched with a pattern of flowers and foliage. This chimney would have shielded the lamp’s flame, ensuring a steady source of heat for vaporizing prepared opium in the pipe’s bowl. The lotus motif—paired with the inclusion of protective animals—would have imbued the piece with auspicious associations, blending spiritual symbolism with functional design.
Cultural Context:
During the height of opium smoking in the late Qing Dynasty, lamps of this type were essential tools, yet wealthy patrons often commissioned examples of high craftsmanship. This lamp’s decorative sophistication reflects its probable use in an elite household or refined opium parlor, where artistry and ritual combined in the act of smoking.
Origin: China
Date: Late 19th–early 20th century
Materials: plated metal, cast and chased; glass with etched decoration
Dimensions: Appro 10 × 8 cm
Description:
Ornate opium pipe lamp modeled in the form of a blooming lotus flower, a symbol of purity and transcendence in Chinese culture. The plated metal base is cast in overlapping lotus petals rising from a footed stand with four outward-curving supports. Above the petals sits a pierced gallery band adorned with small applied animal figures, including a finely detailed lion in relief.
The gallery supports a clear glass chimney, subtly etched with a pattern of flowers and foliage. This chimney would have shielded the lamp’s flame, ensuring a steady source of heat for vaporizing prepared opium in the pipe’s bowl. The lotus motif—paired with the inclusion of protective animals—would have imbued the piece with auspicious associations, blending spiritual symbolism with functional design.
Cultural Context:
During the height of opium smoking in the late Qing Dynasty, lamps of this type were essential tools, yet wealthy patrons often commissioned examples of high craftsmanship. This lamp’s decorative sophistication reflects its probable use in an elite household or refined opium parlor, where artistry and ritual combined in the act of smoking.
