LUCIO FONTANA - CONCETTO SPAZIALE (Spatial Concept)

UNKNOWN ARTIST
Circa 1800-1820
Original Item: One of a Kind. Here we have a wonderful original bronze lantaka swivel cannon barrel, dating to about 1800-1820. While these were used throughout South East Asia, this style is from the “East Indies”, more properly known as South Eastern Asia. These were used only at close quarters, used to fire lead balls, stones and other debris while mounted on boats and other ocean going craft during the age of Sailing.

The cannon is very heavy, weighing in at 33lbs, a good sign as later copies are much lighter and sometimes are filled internally with foam to be sold as fakes.

Totally authentic but not too big to display in home or office.

Dimensions:

Lantaka or rentaka was a type of bronze portable cannon or swivel gun, sometimes mounted on merchant vessels and warships in Maritime Southeast Asia. It was commonly equipped by native seafaring vessels from Indonesia, Philippines, Brunei, and Malaysia. Lela and rentaka are known by the Malays as meriam kecil (lit. "small cannon"), the difference is that rentaka is smaller in length and bore than a lela.

UNKNOWN ARTIST
The object in the image is a type of Southeast Asian bronze drum, commonly known as a "rain drum" or "frog drum". These drums are found across various cultures in Southeast Asia and as far away as Indonesia. 

Dimensions:

The drums are typically decorated with frogs around the rim, which are symbols of water and rain, and associated with fertility. The sound produced by striking the drum is sometimes likened to the roar of thunder or a bullfrog, heralding the monsoon rains. 

BOZE
JIM MORRISON inspired by Leonardo Da Vinci,
Bronze sculpture with green patina

Dimensions: 25 × 20 cm

This bronze sculpture reinterprets Leonardo da Vinci’s iconic Vitruvian Man, translating the Renaissance master’s study of human proportions into three-dimensional form. The figure stands within a large circular frame, arms and legs extended to convey balance, symmetry, and the harmony between man and the universe. Cast with a textured surface and green patina, the work evokes a timeless quality, bridging classical ideals with modern sculptural expression. It serves as both an homage to da Vinci’s pursuit of knowledge and a meditation on the enduring quest for human perfection.

Artist: Unkonwn
Date: Unknown
Materials: Carved wood
Dimensions: 235 x 80 x 137

This wooden sculpture is inspired by a Harley-Davidson motorcycle. It is fully hand-carved from wood, with detailed parts such as the fuel tank, engine, wheels, and handlebars carefully shaped to reflect the original design.

The piece is not functional and cannot be ridden. Instead, it highlights craftsmanship and patience, transforming a powerful mechanical motorcycle into a quiet wooden object. The natural wood grain is left visible, giving the sculpture a warm and organic appearance.

This work celebrates the iconic Harley-Davidson form while presenting it as an object of art and display.

Artist: Unkonwn
Date: Unknown
Materials: Teak wood, metal rods, hand-turned wooden figures
Dimensions: 160 x 132 x 104

This babyfoot table is made from teak, a strong and beautiful wood often used for fine furniture. The natural color and wood grain are left visible, giving the object a warm and elegant appearance. Its rounded edges and solid shape show careful handcraft and attention to detail.

The wooden players are hand-shaped and placed on stainless steel rods. Their simple forms give the table a handmade character. Wooden score counters and carved handles add to the overall design.

This Babyfoot is both a game and a crafted object. It is made to be played, but also to be appreciated for its design and quality.

Artist: BOZE
Date: Unknown
Medium: Oil on canvas
Signature: Not Visible
Dimensions: 29 × 37 cm

This portrait depicts a dog rendered with human posture and expression, dressed in a green beret marked by a red star and a red jacket. The work playfully merges animal imagery with revolutionary iconography, creating a figure that is at once humorous, and quietly unsettling. Rich, warm tones define the face, while energetic splatters of paint animate the background, adding movement and contemporary edge.

Artistic Context:
BOZE is known for creating expressive, figurative paintings that blend humor, symbolism, and social commentary. Working primarily in oil on canvas, the artist often uses animals as stand-ins for human characters, allowing complex political or emotional ideas to be explored with irony and warmth. BOZE’s style combines strong draftsmanship with painterly textures and contemporary pop references, resulting in works that are immediately approachable yet layered in meaning.

robert Curran
Akha Woman Harvesting in the Fields, Chromogenic print, late 20th century

Dimensions: 76 × 114 cm

This photograph depicts an Akha woman engaged in agricultural work, surrounded by dense vegetation. She wears traditional attire adorned with elaborate silver headdresses and beads, a hallmark of Akha cultural identity in the highlands of Southeast Asia.

US$ 5000

Peter Eaton Gurnz (b. 1968)
Untitled (Nude on the Beach), Gelatin silver print, ca. late 20th century

Dimensions: 111 × 153 cm

Black-and-white photograph by Peter Eaton Gurnz capturing a nude female figure leaning gracefully against a palm tree on a secluded beach. The composition balances the natural contours of the human form with the organic lines of the tropical landscape, evoking themes of vulnerability, strength, and harmony with nature. Gurnz, known for his refined exploration of the body and its dialogue with environment, frames the subject in a timeless and contemplative manner, emphasizing both intimacy and grandeur.

Joan Miró (1893–1983)
Lithograph

Dimensions: 86 × 59 cm

Lithograph by Joan Miró showcasing the artist’s distinctive visual language of bold colors, organic shapes, and playful abstraction. With its rhythmic black forms interwoven with striking reds, blues, and yellows, the work reflects Miró’s exploration of the subconscious and his desire to evoke a dreamlike, poetic universe. Characterized by spontaneity and imagination, this print exemplifies Miró’s pivotal role in Surrealism and his lasting influence on modern art.

Salvador Dalí (1904–1989)
Lithograph after "The Garden of Earthly Delights"
Lithograph on paper

Dimensions: 41 × 58 cm

This lithograph by Salvador Dalí reinterprets Hieronymus Bosch’s The Garden of Earthly Delights through the surrealist’s unique vision. Combining fantastical figures, dreamlike landscapes, and symbolic imagery, Dalí pays homage to Bosch while infusing the work with his own eccentric and provocative style. The composition reflects Dalí’s fascination with the subconscious, metamorphosis, and the interplay of fantasy and reality, themes central to his career as one of the most influential artists of the 20th century.

Joan Miró (1893–1983)
Untitled, c. 1960s–70s
Color lithograph on paper

Dimensions: 86 × 59 cm

Lithograph capturing Joan Miró’s fascination with spontaneity, movement, and the dreamlike world of abstraction. Bold black forms dominate the composition, animated by bursts of yellow, green, and blue splatters that evoke both cosmic energy and childlike play. Miró’s gestural lines and biomorphic shapes suggest a universe alive with symbols, where imagination transforms into visual poetry.

As in much of his graphic work, Miró uses lithography not only as a means of reproduction but as a medium of invention, preserving the immediacy and vitality of his painterly touch.

Joan Miró (1893–1983)
Untitled, c. 1960s
Color lithograph on paper

Dimensions: 86 × 59 cm

Lithograph exemplifying Joan Miró’s playful and poetic visual language. Bold black forms intertwine with bursts of primary colors—red, blue, yellow, and green—set against a dynamic field of painterly textures and gestural marks. The composition embodies Miró’s signature balance between abstraction and spontaneity, evoking a dreamlike world of symbols, movement, and imagination.

Miró’s graphic works, such as this, highlight his ability to translate the energy of his paintings into printmaking, making color and form accessible while preserving their expressive intensity.

Henri de Toulouse-Lautrec (1864–1901)
Elles, 1896
Suite of pochoir lithographs

Dimensions: 60 × 49 cm

The Elles series, published in 1896, is one of Toulouse-Lautrec’s most intimate and revealing bodies of work. Comprising twelve lithographs and a cover, it depicts the daily lives of women in Parisian brothels—not in moments of spectacle, but in their private routines: waking, bathing, dressing, and resting.

With soft lines, muted tones, and a compassionate gaze, Lautrec strips away the stereotypes of the courtesan to portray women with humanity and dignity. Far from caricature, Elles stands as a sensitive testimony to intimacy and the quiet beauty of everyday life.

Henri de Toulouse-Lautrec (1864–1901)
Woman Combing Her Hair, from the series Elles, 1896
Lithograph

Dimensions: 60 × 49 cm

This work belongs to Toulouse-Lautrec’s celebrated Elles portfolio, which intimately portrays the private lives of women working in Parisian maisons closes. Here, a woman is shown in a moment of personal grooming, seated and absorbed in the simple act of combing her hair.

Rendered with soft lines and delicate tonal shading, the composition avoids dramatization, instead capturing the dignity of everyday gestures. Lautrec’s empathetic vision elevates the ordinary, offering a rare and humanizing perspective on women who were often marginalized in 19th-century society.

Henri de Toulouse-Lautrec (1864–1901)
Two Women in Bed, from the series Elles, 1896
Lithograph

Dimensions: 49 × 60 cm

Lithograph belonging to Lautrec’s Elles series, a groundbreaking portfolio depicting the daily lives of Parisian courtesans with honesty and empathy. Here, two women are shown in an intimate, unguarded moment—standing by a bed, their gestures casual and unposed. Lautrec avoids sensationalism, instead emphasizing companionship and the quiet rhythm of private life.

With its soft palette and simplified lines, the work conveys warmth and humanity, underscoring Lautrec’s unique ability to portray marginalized women with dignity and subtle psychological depth.